Based on extensive fieldwork in the town of Selkirk, The Mother Town looks at the Common Riding in detail, uncovering pre-Reformation symbolism and pageantry--often medieval and Catholic--in a region that has been Protestant for over four hundred years. Neville shows how the ceremony is a model of the way civic ritual serves to construct a system of towns which gives rise to the modern world. Further, she contends that these civic rituals create a ceremonial setting in which the contradictions between tradition and modernity can be temporarily resolved and where past and present live side by side.
Neville offers a provocative and illuminating study of how the ritual of Common Riding makes a dramatic statement about local strife, communal independence, and Protestantism in the towns of the Scottish Borders.