Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity.
From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.