Writing from Latin America, the Caribbean, South Asia, Europe, and the United States, the book's ten authors provide diverse observational techniques and creative vocabularies for finding, analyzing, and theorizing funny moves across dance forms, dance scenes, and dance screens. Some of the authors find hope in the laughter of their artist subjects and their audiences, and some linger in the ambiguity and confusion so created. Each essay takes on a single surprise factor or a choreographic comic rupture, relishing in the amassed effects or affects across an absurdist cinematic, staged, or quotidian sequence. What is "funny" in each case pops up as a wildcard that evokes recognizable shared experiences, sometimes pushing back against dominant or mainstream logic and its supremacist laughter.