How Novels Work

Drawing on his weekly Guardian column, "Elements of Fiction," John Mullan offers an engaging look at the novel, focusing mostly on works of the last ten years as he illuminates the rich resources of novelistic technique.

Mullan sheds light on some of the true masterworks of contemporary fiction, including Monica Ali's Brick Lane, J.M. Coetzee's Disgrace, Don DeLillo's Underworld, Jonathan Franzen's The Corrections, Mark Haddon's The Curious Incident of the Dog in the Night-Time, Patricia Highsmith's Ripley under
Ground, Ian McEwan's Atonement, John le Carr�'s The Constant Gardener, Philip Roth's The Human Stain, Jonathan Safran Foer's Everything Is Illuminated, and Zadie Smith's White Teeth. He highlights how these acclaimed authors use some of the basic elements of fiction. Some topics (like plot,
dialogue, or location) will appear familiar to most novel readers, while others (meta-narrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. Mullan also excels at comparing modern and classic authors--Nick Hornby's adoption of a
female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's.

How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist, making visible techniques and effects we are often only half-aware of as we read. It is an entertaining and stimulating volume that will captivate anyone who is interested in the
contemporary or the classical novel.


Review from previous edition
"Expanding on his popular Guardian column, and focusing on a set of key novels, How Novels Work [mullan] aims to explain to the interested 'non-academic' reader critical approaches, particularly 'matters of form', which are normally considered the perserve of academia...the text is rich in critical
and literary-historical insights...critical readings which...[are], above all, communicated in plain English."--Beth Lynch, Times Literary Supplement

"Ever insightful critiques...wholly satisfying, and a great education for book-lovers and would-be novelists alike... Mullan is willing to go where other academics do not usually deign to tread."--Susan Elderkin, The Financial Times

"A wealth of sharp mini-essays."--The Guardian