Organized by chronology and genre, the third edition expands the discussion of social and cultural issues through new sidebars on women in music, gender and the castrato voice, the relationship of music to ethnicity and colonialism, and other key areas of study. Also new are contemporary perspectives, including writings by composers Caccini and Couperin and critics Artusi, Scheibe, and Burney.
Visit the companion website at www.oup.com/us/schulenberg for a discography of the scores included in the anthology (with links to online recordings), sample worksheets, and supplementary musical scores