This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas.
Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.
Georg Simmel (1858-1918) taught at the University of Berlin and the University of Strasbourg. His many books include The Philosophy of Money, The View of Life, and Georg Simmel on Individuality andSocial Forms, the latter two both published by the University of Chicago Press.
Austin Harrington is associate professor of sociology at the University of Leeds. His most recent book is German Cosmopolitan Social Thought and the Idea of theWest: Voices from Weimar.
Austin Harrington is associate professor of sociology at the University of Leeds. His most recent book is German Cosmopolitan Social Thought and the Idea of theWest: Voices from Weimar.
"At long last a collection in English that does justice to the breadth, depth, and contemporary significance of Simmel's writings on the arts! With many new translations and a wide-ranging introduction, Harrington's volume portrays the influential modernist philosopher and pioneering cultural theorist in deep and critical engagement with a rapidly changing world. A powerful testament to Simmel's conception of philosophical culture--and to the transdisciplinary significance of a thinker whose achievements continue to resist disciplinary categorization."
--Elizabeth Goodstein, Emory University
"Georg Simmel is known in sociology for many things: the structure of social groups, the philosophy of money, metaphysical essays on life, individuality and social forms, the metropolis, and social differentiation. However, apart from the publication of Rembrandt in 2005, Simmel's fascinating studies of culture, literature, and art forms have been neglected. Therefore, we owe Austin Harrington a serious debt of gratitude for editing and translating Simmel's diverse publications on the theatre, sculpture, style and representation, and aesthetics into a single volume. In addition, I strongly recommend Harrington's modestly entitled 'Introduction' as a comprehensive and meticulous commentary on Simmel and contemporary evaluations of his oeuvre. This volume will deepen and expand our understanding of the Simmel legacy for years to come."--Bryan S. Turner, Australian Catholic University and the Graduate Centre CUNY