In
Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including
quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean
danzas, rumba, merengue, mambo, reggae, and
zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican
ladja, Trinidadian
kalinda, and Cuban
juego de manĂ. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.