Emily Bludworth de Barrios folds personal experience into far-ranging meditations on beauty, nostalgia, power, and privilege, following in the footsteps of Gertude Stein's fluid turns in Lifting Belly and Anne Carson's woven observations in The Glass Essay. The poems coil back on themselves, creating recursive strands that offer readers both intimacy and critical distance. As much a contemplation of art as it is of womanhood, Rich Wife engages deeply with art history and aesthetics and examines the domestic as an artistic canvas in itself, where every object and relationship becomes a charged symbol.