The women's bestseller has become the acknowledged literary phenomenon of the last half-century. Madonne M. Miner takes the first critical look at this development and offers a serious reading of five of the most famous twentieth-century women's bestsellers--
Gone with the Wind,
Forever Amber,
Peyton Place,
Valley of the Dolls, and
Scruples. She outlines repeated plot structures, image patterns, and thematic concerns. From these Miner constructs a twentieth-century white middle-class American woman's story, suggests ways in which female readers respond to women's bestsellers, and proposes a matrilineal linkage between the novels.