The Masterworks of Charles M. Russell, Volume 6

In the decades bracketing the turn of the twentieth century, Charles M. Russell depicted the American West in a fresh, personal, and deeply moving way. To this day, Russell is celebrated for his paintings and sculptures of cowboys at work and play, his sensitive portrayals of American Indians, and his superlative representations of landscape and wildlife. This handsome book--a companion volume to the acclaimed Charles M. Russell: A Catalogue Raisonné, edited by B. Byron Price--showcases many of the artist's best-known works and chronicles the sources and evolution of his style.

Here are iconic images that have defined the West in the popular imagination for more than a century. The volume boasts reproductions, most in full color, of more than 150 of Russell's finest works in oil, bronze, and mixed media. Select examples of his drawings, watercolors, and illustrated letters as well as archival photographs place Russell's paintings and sculpture in historic and artistic context.

This sumptuous volume is an essential addition to the library of every aficionado of American western art. In its pages readers will discover the work of a man whose ideal vision of the American experience continues to stir the spirit nearly a century after his death.

In the decades bracketing the turn of the twentieth century, Charles M. Russell depicted the American West in a fresh, personal, and deeply moving way. This handsome book--a companion volume to the acclaimed Charles M. Russell: A Catalogue Raisonné, edited by B. Byron Price--showcases many of the artist's best-known works and chronicles the sources and evolution of his style.

Joan Carpenter Troccoli retired as Senior Scholar of the Petrie Institute of Western American Art of the Denver Art Museum in June 2012. She is the Founding Director of the Petrie Institute of Western American Art, Denver Art Museum, a position in which she served from 2001-05. From 1996-2001, she was Deputy Director of the Denver Art Museum. Before coming to Denver in 1995, she was a Curator of Art and subsequently Director of Gilcrease Museum in Tulsa, Oklahoma. She holds a B. A. from Middlebury College and master's and doctoral degrees from the Institute of Fine Arts, New York University.

Lewis I. Sharp is Frederick and Jan Mayer Director, Denver Art Museum.