The author, after analyzing textual and iconographic descriptions of the medieval Jewish Passover
Seder, concludes that Chrétien de Troyes's Grail banquet (found in his romance
Perceval) portrayed a Sephardic
Seder. The author proves by documentary evidence the possibility of Chrétien's having been influenced by Sephardic Jewry and structurally reinterprets the
Perceval in terms of the Exodus motif.