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Critical Race Theory and Copyright in American Dance Whiteness as Status Property

by [Picart, Caroline Joan S.]

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Description

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

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Product Details

  • Palgrave Macmillan Brand
  • Nov 7, 2013 Pub Date:
  • 9781349458196 ISBN-13:
  • 1349458198 ISBN-10:
  • 255.0 pages Paperback
  • English Language
  • 8.5 in * 0.58 in * 5.51 in Dimensions:
  • 1 lb Weight: