Transmitting the crisis that Frederick Jackson Turner and Theodore Roosevelt feared when the frontier closed, the Western has returned to reveal a cultural watershed at work in twenty-first century America, revitalized with horror, terror and the peccant. Darkened and dystopic, contemporary Westerns point to a national bankruptcy, upending the notion that regenerative, civilizing impulses direct nation-building. Exploring films like
Open Range (2003),
Yahşi Batı (2010),
The Keeping Room (2015),
Little Woods (2018), and
First Cow (2019), as well as television series like
Justified (2010-1015),
Longmire (2012-2017),
Westworld (2016-2022), and
Yellowstone (2020 -), this thought-provoking collection examines re-constituted masculinities, feminine re-fashioning and new directions in Western filmmaking. Covering a wide range of aesthetic and thematic concerns,
Return of the Western: Refracting Genre, Representing Gender in the Twenty-First Century reminds us how deeply this versatile genre is grounded in the American psyche.