In its classical form, this sacred diagram consists of a single circular path with no possibility of going astray (as in the church type of labyrinth, exemplified by the labyrinth of Chartres Cathedral in France). In contrast, the modern labyrinth (more properly called a maze) is a system of misleading paths with a multitude of choices, some of which turn out to be dead ends--a metaphor for a difficult, confusing situation that may end in either good or ill fortune.
Taking an approach both reflective and playful, Helmut Jaskolski traces our fascination with this ambiguous ancient motif and shows, through stories ranging from myths and medieval tales to the labyrinthine fiction of Umberto Eco, that the labyrinth is a living symbol for our time.