Photographs depicting the haunted faces of both soldiers and civilians, the country's rugged yet beautiful mountain terrain, and the banality of daily life between missions are interspersed with Tamarov's unsentimental but passionate prose, in which he reveals his growing disorientation and takes to task his government for a campaign that has been widely dubbed "the Soviet Vietnam".
Returning home uninjured in 1986, the author subsequently traveled to the United States, met with Vietnam vets and paid his respects at the Wall on the Mall in Washington, D.C., sharing with his new acquaintances "something which others cannot understand." More than a photographic essay, Afghanistan offerns an stunningly personal view of combat that is rarely seen by most.