Photography Is Magic

Photography is Magic surveys more than eighty artists whose practices shape the possibilities of our contemporary photographic landscape.
Contains images by Michele Abeles, Takaaki Akaishi, Lotta Antonsson, Walead Beshty, Lucas Blalock, Andrey Bogush, Brian Bress, Bianca Brunner, Stefan Burger, Antoine Catala, Phil Chang, Talia Chetrit, Joshua Citarella, Sara Cwynar, Bryan Dooley, Jessica Eaton, Shannon Ebner, Marten Elder, Jason Evans, Sam Falls, Brendan Fowler, Victoria Fu, Daniel Gordon, Darren Harvey-Regan, Leslie Hewitt, Nancy de Holl, John Houck, Go Itami, Rachel de Joode, Farrah Karapetian, Matt Keegan, Annette Kelm, Soo Kim, Yuki Kimura, Josh Kline, Lucas Knipscher, Owen Kydd, Josh Kolbo, Taisuke Koyama, Nico Krebs and Taiyo Onorato, Elad Lassry, Brandon Lattu, John Lehr, Anthony Lepore, Alexandra Leykauf, Matt Lipps, Florian Maier-Aichen, Phillip Maisel, Annie MacDonell, Emmeline de Mooij, Carter Mull, Nerhol (Ryuta Iida and Yoshihisa Tanaka), Katja Novitskova, Arthur Ou, Matthew Porter, Timur Si-Qin, Eileen Quinlan, Jon Rafman, Sean Raspet, Clunie Reid, Abigail Reynolds, Will Rogan, Asha Schechter, Hugh Scott-Douglas, Shirana Shahbazi, Daniel Shea, Erin Shirreff, Elisa Sighicelli, Brea Souders, Kate Steciw, Batia Suter, Yosuke Takeda, Miguel Angel Tornero, Sara VanDerBeek, Artie Vierkant, Anne deVries, Hannah Whitaker, Charlie White, Lindsey White, Chris Wiley, Letha Wilson, and Amir
Charlotte Cotton has been at the forefront of the appraisal of contemporary art photography for more than twenty years. She has held curatorial positions at institutions including the Victoria and Albert Museum and the Photographers' Gallery in London, and the Los Angeles County Museum of Art. She has been a visiting scholar and critic at Parsons the New School for Design, New York University, and the School of Visual Arts, New York; California College of the Arts, San Francisco; Otis College of Art and Design, Los Angeles; and Yale University, New Haven. Cotton is the author of The Photograph as Contemporary Art (2004) and founder of the discussion forum Words Without Pictures.
Charlotte Cotton has been at the forefront of the appraisal of contemporary art photography for more than twenty years. She has held curatorial positions at institutions including the Victoria and Albert Museum and the Photographers' Gallery in London, and the Los Angeles County Museum of Art. She has been a visiting scholar and critic at Parsons the New School for Design, New York University, and the School of Visual Arts, New York; California College of the Arts, San Francisco; Otis College of Art and Design, Los Angeles; and Yale University, New Haven. Cotton is the author of The Photograph as Contemporary Art (2004) and founder of the discussion forum Words Without Pictures.
The book addresses the present moment: an incredibly rich image environment, freely circulating, disembodied, destabilized, precarious, and in flux. -ArtSlant
[Cotton] shares some of that wisdom with a sense of joy and sparkle, showcasing highlights from the world's most incredible image-makers. -W Magazine
Charlotte Cotton casts a spell with her magnificent new book that celebrates the art of photographic magic. -AnOther
A thorough primer in the present-day scene of art photography. -Surface