Often incorporating long exposures and select framing, the images in the first section of Sacred Light encompass altars, chancels, and sanctuaries. The second section contains photographs of statues representing deities, angels, madonnas, and saints, often seen with intense color derived from stained-glass windows or artificial light. Light itself is the subject of the third and last section. In several photographs, light is transformed by a window into a kaleidoscope of color on a wooden pew or pulpit chair. Other times the light seems to radiate a living presence of its own. Additionally, the book includes an essay by Louisiana State University art historian and liturgical space consultant, Marchita B. Mauck.
Sacred Light also contains photographs of some of the church and synagogue restoration projects after Hurricane Katrina. Meek relates that the now-famous storm of August 2005 was the shadow he was looking for that defines blessed light. He places emphasis on restoration, not destruction, as a testimony to the resilience of the human spirit.