Rossi spends the next couple of years in a repressive, misogynistic culture straight out of the nineteenth century, forced to trade in her pink hair and Sex Pistols T-shirt for maxi skirts and long-sleeved blouses and endure not only bone-crunching boredom but also outright abuse and violence.
The Punk-Rock Queen of the Jews is filled with wonderfully rich characters, hilarious dialogue, and keen portraits of the secretive hothouse Orthodox world and the struggling New York City of the 1980s: dirty, on the edge, but fully vital and embracing.