The ethnically and linguistically diverse nation of Sierra Leone boasts a rich cultural legacy and, in the first decades of the twenty-first century, has built an internationally recognized literary canon despite the ravages caused by a brutal civil war and then the Ebola and Covid pandemics. While acknowledging the country's literary and creative heritage dating back to the mid-twentieth century, this book interrogates a number of prominent themes and critical perspectives on Sierra Leone's contemporary literature.
Drawing from body studies, post-colonial theory, spatial theory, trauma theory, ecocriticism, history, and cultural studies, scholars and writers from West Africa and the United States tease out the beginnings, ecology, and dynamism of a bona fide national literature. They do so through a careful examination of such themes as social oppression and class distinction, dystopia, ethnocentricity, homophobia, misogyny and gender disparities, anthropocentrism, self-discovery, social transformation, identity, social degradation, genocide, and trauma, while also theorizing constructs such as home, migration, displacement, community, and return. Throughout, contributors argue for a better appreciation of a vibrant national literature by Sierra Leoneans themselves as well as its place in and contribution to world literature more generally.