The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists.
These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity.