On top of the art, this work speaks about the systemic problems that have held female filmmakers back in the past: wage disparities, harassment, and lack of nominations in key awards. It ventures into the world evocations, and looks at the representations of women in the various cinema traditions the Arab world, Asia, Europe etc.
Besides, the book also addresses the role that the feminist theory of thought has had on the process of film criticism and how cinema has become a mirror as well as a weapon of cultural change. It also discusses technology in the creation of the current images of women, as well as the rise of gender and gender intersectionality in contemporary narrations and story telling.
After having achieved more than they did before, more than ever, women are getting to voice themselves on their terms, standing in 2025 there are lessons to be learned and there is hope to be inspired by when reading the history of their trail in cinema. The book is a testament to their power, endurance and ingenuity--both hailing how far women have come and a nudge to keep pushing the envelope in the artistic medium that makes a generation