**Volume One of a Three-Volume Novel**
This is written as an experimental occult project. It is free-for-all writing style through a first person expression. Done without restrictions, the work is a theoretical ritual.
It deals with the myth of Tartaria, occulticism, political philosophy, esoteric history, madness, evil and demonology. Rituals, diary entries and communication with Djinn occur throughout the unique narrative. It is the basis of Android Satanism, a concept of The Eighth Sphere.
Written in the manner of Carl Jung's Red Book, Fyodor Dostoevsky's Notes From Underground and Marcus Aurelius' Meditations.
Series Overview
The narrator's firsthand account with the entities known as Djinn. From interacting with them and seeing their "other world", to their philosophical teachings and experimental hierarchy, the narrator learns from them a "New Way" based on something lost long ago.
Once a great kingdom, in an alternate historical timeline, under the reign of the Morning Star, who is known as the Millennial King, the Grand Tartary has become a place where Nephilim Giants and humanity succumb to Extraterrestrial encounters and a fascist regime promoting death to spirituality, and the ways of an economical-governing body.
Disowning the Morning Star's rule over Tartarus, the Purgatory placed on Earth, after the Apocalypse occurred thousands of years before, this elitist group of people are on the rise. Through wars and defilement, the narrator reflects on his mother's life while seeing the world once-before comes to an end.
To defend the nature of the Rulers, and the authentic essence of the world, the Djinn advise him a path to liberate humanity and retain their freedom and obtain superiority to the artificial mechanism that dares to parasitically overthrow the Morning Star's dominion.
About the Author
Arthur Wales is an insane madman who believe in things most do not. With interests in the occult, his mentality is that of a delusion ghoul. As if anyone would ever believe in the ways of the archaic!
With interests in the strange, he writes in a heavily pretentious manner. Obsessed with Old English, he tends to style his work after writings from that era.
Arthur Wales is influenced by H.P. Lovecraft, children's literature, Friedrich Nietzsche, and religious writings, among strange philosophies. He lives in an ambiguous state of mind, often thinking of the extensive world of the unseen just as much as the mystery of the world seen.